Renaissance "Emulatio": A Partial Bibliography

  1. Baldwin, Charles Sears, Renaissance literary theory and practice; classicism in the rhetoric and poetic of Italy, France, and England, 1400-1600, edited with introduction by Donald Lemen Clark, New York: Columbia University Press, 1939 [new edition Gloucester, MA: P. Smith, 1959]
  2. Barkan, Leonard, "Making Pictures Speak: Renaissance Art, Elizabethan Literature, Modern Scholarship", Renaissance Quarterly (Summer 1995),
  3. Bath, Michael, Speaking Pictures: English Emblem Books and Renaissance Culture, London and New York: Longman, 1994
  4. Bedford, R.D., Dialogues with Convention: Readings in Renaissance Poetry, Ann Arbor: University of Michigan Press, 1989
  5. Bender, John B., Spenser and Literary Pictorialism, Princeton, NJ: Princeton University Press, 1972
  6. Bizer, Marc, La Poésie au miroir: imitation et conscience de soi dans la poésie latine de la Pléiade, Etudes et essais sur la Renaissance 1164-1652, 8, Paris: H. Champion, 1995
  7. Brown, Howard Mayer, "The Chanson Spirituelle, Jacques Buus, and Parody Technique", Journal of the American Musicological Society 15 (1962), 145-173
  8. ---, "Emulation, Competition, and Homage: Imitation and Theories of Imitation in the Renaissance", Journal of the American Musicological Society 35 (1982), 1-48
  9. Bryson, Norman, "Intertextuality and Visual Poetics", Style ?? (1988), ??
  10. Burkholder, J.Peter, "Johannes Martini and the Imitation Mass in the Late Fifteenth Century", Journal of the American Musicological Society 39 (1985), 470-523
  11. Carapetyan, Armen, "The Concept of the Imitazione della natura in the Sixteenth Century", Journal of Renaissance and Baroque Music 1 (1946-7), 47-67
  12. Caws, Mary Ann, The Art of Interference: Stressed Readings in Verbal and Visual Texts, Princeton, NJ: Princeton University Press, 1989
  13. Colie, Rosalie Littell, "My ecchoing song": Andrew Marvell's poetry of criticism, Princeton, NJ: Princeton University Press, 1970
  14. Corbett, Margery and Ronald Lightbown, The Comely Frontispiece: the Emblematic Title-Page in England, 1550-1660, London: Routledge and Kegan Paul, 1979
  15. Daly, Peter M. et al., ed., The English Emblem Tradition, Index emblematicus, Toronto and Buffalo: University of Toronto Press, 1988-
  16. Einstein, Alfred, "Die Parodie in der Villanella", Zeitschrift für Musikwissenschaft 2 (1919-20), 212
  17. Erasmus, Desiderius, Ciceronianus, Collected Works of Erasmus, Toronto: Toronto University Press, 19??
  18. Farmer, Norman K., Poets and the Visual Arts in Renaissance England, Austin: University of Texas Press, 1984
  19. Gilman, Ernest B., Iconoclasm and Poetry in the English Reformation: Down Went Dagon, Chicago: University of Chicago Press, 1986
  20. Gombrich, E.H., Art and Illusion: A Study in the Psychology of Pictorial Presentation, 3rd ed., London: Phaidon, 1968
  21. Gordon, D.J., "Poet and Architect: The Intellectual Setting of the Quarrel between Ben Jonson and Inigo Jones", Journal of the Warburg and Courtauld Institutes (1949),
  22. Greene, Thomas M., The Light in Troy: Imitation and Discovery in Renaissance Poetry, Elizabethan Club series 7, New Haven: Yale University Press, 1982
  23. Guillerm, Luce, Sujet de l'écriture et traduction autour de 1540, Paris: Aux Amateurs de Livres, 1988
  24. Haar, James, "Pace non trovo: A Study in Literary and Musical Parody", Musica Disciplina 20 (1966), 95-149
  25. Hagstrum, Jean H., The Sister Arts: The Tradition of Literary Pictorialism and English Poetry from Dryden to Gray, Chicago: University of Chicago Press, 1958
  26. Hamilton, A. C., et al., ed., The Spenser Encyclopedia, Toronto & Buffalo: University of Toronto Press; London: Routledge, 1990
  27. Hardison, Osborn B., The Enduring Monument: A Study of the Idea of Praise in Renaissance Literary Theory and Practice, Chapel Hill: University of North Carolina Press, 1962
  28. Harth, Erica, Ideology and Culture in 17th-Century France, Ithaca: Cornell University Press, 1983
  29. Heninger, S. K., The Subtext of Form in the English Renaissance: Proportion Poetical, University Park, PA: Pennsylvania State University Press, 1994
  30. Hind, A.M., Engraving in England in the Sixteenth and Seventeenth Centuries, Vol. 1-3, Cambridge: Cambridge University Press, 1952
  31. Hollander, John, The Gazer's Spirit: Poems Speaking to Silent Works of Art, Chicago: University of Chicago Press, 1995
  32. Holtgen, K.J., Word and Visual Imagination: Studies in the Interaction of English Literature and the Visual Arts, Nuremberg: Universitäts-Bibliothek Erlangen, 1988
  33. Hurley, Ann, "Ut Pictura Poesis: Vermeer's Challenge to Some Renaissance Literary Assumptions", Journal of Aesthetics and Art Criticism ?? (1989), ??
  34. LaMay, Thomasin Kathleen, Imitazione in Monteverdi's canzonettas and the madrigals, books I-III, Ph.D. Dissertation, University of Michigan, 1987
  35. Leslie, Michael, "Edmund Spenser: Art and The Faerie Queene", Proceedings of the British Academy 76 (1990)
  36. Lloyd-Jones, Kenneth and Jeanette Beer, eds., Humanist Translators and their Craft, Kalamazoo Studies in Medieval Culture 35, Kalamazoo, MI: Medieval Institute Publications, Western Michigan University, 1995
  37. Lockwood, Lewis, "A View of the Early Sixteenth-Century Parody Mass", Queen's College: Twenty-Fifth Anniversary Festschrift, edited by A. Mell, 53-77, Flushing, NY: Queen's College, 1964
  38. ---, "On Parody as Term and Concept in Sixteenth-Century Music", Aspects of Medieval and Renaissance Music: A Birthday Offering to Gustave Reese, edited by Jan LaRue, 560-575, New York: Norton, 1966
  39. Luborsky, Ruth Samson, "The Illustrations to The Shepheardes Calender", Spenser Studies: A Renaissance Poetry Annual, edited by Patrick Cullen and Thomas P. Roche, vol. 2, 3-53, Pittsburgh: Pittsburgh University Press, 1981
  40. Markiewicz, Henryk, "Ut Pictura Poesis: A History of the Topos and the Problem", NLH ?? (1989), ??
  41. Mitchell, W.J.T., Picture Theory, Chicago: University of Chicago Press, 1994
  42. Muller, Jeffrey, "Rubens's Theory and Practice of the Imitation of Art", Art Bulletin (1982), 229-247
  43. Norton, Glyn P., The Ideology and Language of Translation in Renaissance France, Geneva: Librairie Droz, 1984
  44. O'Connell, Michael, "The Idolatrous Eye . .", ELH 52 (19??)
  45. Panofsky, Erwin, [Work on emblems], 19??
  46. Pigman III, George W., "Versions of Imitation in the Renaissance", Renaissance Quarterly 33 (1980), 1-32
  47. Quereau, Quentin W., Palestrina and the Motetti del Fiore of Jacques Moderne: A Study of Borrowing Procedures in Fourteen Parody Masses, Ph.D. Dissertation, Yale University, 1974
  48. ---, "Sixteenth-Century Parody: An Approach to Analysis", Journal of the American Musicological Society 31 (1978), 407-441
  49. ---, "Aspects of Palestrina's Parody Procedure", Journal of Musicology 1.2 (1982), 198-216
  50. Quint, David et al., Creative imitation: New Essays on Renaissance Literature in Honor of Thomas M. Greene, Medieval & Renaissance texts & studies 95, Binghamton, NY: Medieval & Renaissance Texts & Studies, 1992
  51. Renselaer, Lee, "Ut pictura poesis": The Humanistic Theory of Painting, New York: Norton, 1967
  52. Reynolds, Christopher A., "The Counterpoint of Allusion in Fifteenth-Century Masses", Journal of the AmericaUse of uninitialized value in concatenation (.) or string at E:\listplex\SYSTEM\SCRIPTS\filearea.cgi line 455, line 268. n Musicological Society 45 (1992), 228-260
  53. Saxl, Fritz, A Heritage of Images: A Selection of Lectures, edited by Hugh Honour & John Fleming; with an introduction by E. H. Gombrich, Peregrine Books, Harmondsworth: Penguin, 1970
  54. Steiner, Wendy, The Colors of Rhetoric: Problems in the Relation between Modern Literature and Painting, Chicago: University of Chicago Press, 1982
  55. Strong, Roy C., The English Icon: Elizabethan & Jacobean Portraiture, London: Paul Mellon Foundation for British Art, in association with Routledge & K. Paul; New York: Pantheon Books, 1969
  56. Watkins, Glenn E. and Thomasin La May, "`Imitatio' and `Emulatio': Changing Concepts of Originality in the Madrigals of Gesualdo and Monteverdi in the 1590s", Claudio Monteverdi: Festschrift Reinhold Hammerstein zum 70. Geburtstag, edited by Ludwig Finscher, 453-487, Laaber: Laaber Verlag, 1986
  57. Wegman, Rob, "Another `Imitation' of Busnoys's Missa L'Homme armé -- and Some Observations on Imitatio in Renaissance Music", Journal of the Royal Musical Association 114 (1989), 189-202