Renaissance "Emulatio": A Partial Bibliography
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Baldwin, Charles Sears, Renaissance literary theory and practice;
classicism in the rhetoric and poetic of Italy, France, and England,
1400-1600, edited with introduction by Donald Lemen Clark, New York:
Columbia University Press, 1939 [new edition Gloucester, MA: P. Smith,
1959]
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Barkan, Leonard, "Making Pictures Speak: Renaissance Art, Elizabethan
Literature, Modern Scholarship", Renaissance Quarterly (Summer
1995),
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Bath, Michael, Speaking Pictures: English Emblem Books and Renaissance
Culture, London and New York: Longman, 1994
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Bedford, R.D., Dialogues with Convention: Readings in Renaissance
Poetry, Ann Arbor: University of Michigan Press, 1989
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Bender, John B., Spenser and Literary Pictorialism, Princeton, NJ:
Princeton University Press, 1972
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Bizer, Marc, La Poésie au miroir: imitation et conscience de soi
dans la poésie latine de la Pléiade, Etudes et essais
sur la Renaissance 1164-1652, 8, Paris: H. Champion, 1995
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Brown, Howard Mayer, "The Chanson Spirituelle, Jacques Buus, and
Parody Technique", Journal of the American Musicological Society 15
(1962), 145-173
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---, "Emulation, Competition, and Homage: Imitation and Theories of
Imitation in the Renaissance", Journal of the American Musicological
Society 35 (1982), 1-48
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Bryson, Norman, "Intertextuality and Visual Poetics", Style ??
(1988), ??
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Burkholder, J.Peter, "Johannes Martini and the Imitation Mass in the Late
Fifteenth Century", Journal of the American Musicological Society
39 (1985), 470-523
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Carapetyan, Armen, "The Concept of the Imitazione della natura in
the Sixteenth Century", Journal of Renaissance and Baroque Music 1
(1946-7), 47-67
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Caws, Mary Ann, The Art of Interference: Stressed Readings in Verbal
and Visual Texts, Princeton, NJ: Princeton University Press, 1989
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Colie, Rosalie Littell, "My ecchoing song": Andrew Marvell's poetry of
criticism, Princeton, NJ: Princeton University Press, 1970
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Corbett, Margery and Ronald Lightbown, The Comely Frontispiece: the
Emblematic Title-Page in England, 1550-1660, London: Routledge and
Kegan Paul, 1979
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Daly, Peter M. et al., ed., The English Emblem Tradition, Index
emblematicus, Toronto and Buffalo: University of Toronto Press, 1988-
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Einstein, Alfred, "Die Parodie in der Villanella", Zeitschrift für
Musikwissenschaft 2 (1919-20), 212
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Erasmus, Desiderius, Ciceronianus, Collected Works of Erasmus,
Toronto: Toronto University Press, 19??
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Farmer, Norman K., Poets and the Visual Arts in Renaissance
England, Austin: University of Texas Press, 1984
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Gilman, Ernest B., Iconoclasm and Poetry in the English Reformation:
Down Went Dagon, Chicago: University of Chicago Press, 1986
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Gombrich, E.H., Art and Illusion: A Study in the Psychology of
Pictorial Presentation, 3rd ed., London: Phaidon, 1968
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Gordon, D.J., "Poet and Architect: The Intellectual Setting of the Quarrel
between Ben Jonson and Inigo Jones", Journal of the Warburg and
Courtauld Institutes (1949),
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Greene, Thomas M., The Light in Troy: Imitation and Discovery in
Renaissance Poetry, Elizabethan Club series 7, New Haven: Yale
University Press, 1982
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Guillerm, Luce, Sujet de l'écriture et traduction autour de
1540, Paris: Aux Amateurs de Livres, 1988
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Haar, James, "Pace non trovo: A Study in Literary and Musical
Parody", Musica Disciplina 20 (1966), 95-149
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Hagstrum, Jean H., The Sister Arts: The Tradition of Literary
Pictorialism and English Poetry from Dryden to Gray, Chicago:
University of Chicago Press, 1958
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Hamilton, A. C., et al., ed., The Spenser Encyclopedia, Toronto &
Buffalo: University of Toronto Press; London: Routledge, 1990
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Hardison, Osborn B., The Enduring Monument: A Study of the Idea of
Praise in Renaissance Literary Theory and Practice, Chapel Hill:
University of North Carolina Press, 1962
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Harth, Erica, Ideology and Culture in 17th-Century France, Ithaca:
Cornell University Press, 1983
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Heninger, S. K., The Subtext of Form in the English Renaissance:
Proportion Poetical, University Park, PA: Pennsylvania State
University Press, 1994
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Hind, A.M., Engraving in England in the Sixteenth and Seventeenth
Centuries, Vol. 1-3, Cambridge: Cambridge University Press, 1952
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Hollander, John, The Gazer's Spirit: Poems Speaking to Silent Works of
Art, Chicago: University of Chicago Press, 1995
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Holtgen, K.J., Word and Visual Imagination: Studies in the Interaction
of English Literature and the Visual Arts, Nuremberg:
Universitäts-Bibliothek Erlangen, 1988
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Hurley, Ann, "Ut Pictura Poesis: Vermeer's Challenge to Some Renaissance
Literary Assumptions", Journal of Aesthetics and Art Criticism ??
(1989), ??
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LaMay, Thomasin Kathleen, Imitazione in Monteverdi's canzonettas and
the madrigals, books I-III, Ph.D. Dissertation, University of
Michigan, 1987
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Leslie, Michael, "Edmund Spenser: Art and The Faerie Queene",
Proceedings of the British Academy 76 (1990)
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Lloyd-Jones, Kenneth and Jeanette Beer, eds., Humanist Translators and
their Craft, Kalamazoo Studies in Medieval Culture 35, Kalamazoo, MI:
Medieval Institute Publications, Western Michigan University, 1995
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Lockwood, Lewis, "A View of the Early Sixteenth-Century Parody Mass",
Queen's College: Twenty-Fifth Anniversary Festschrift, edited by A.
Mell, 53-77, Flushing, NY: Queen's College, 1964
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---, "On Parody as Term and Concept in Sixteenth-Century Music",
Aspects of Medieval and Renaissance Music: A Birthday Offering to
Gustave Reese, edited by Jan LaRue, 560-575, New York: Norton, 1966
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Luborsky, Ruth Samson, "The Illustrations to The Shepheardes
Calender", Spenser Studies: A Renaissance Poetry Annual, edited
by Patrick Cullen and Thomas P. Roche, vol. 2, 3-53, Pittsburgh:
Pittsburgh University Press, 1981
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Markiewicz, Henryk, "Ut Pictura Poesis: A History of the Topos and the
Problem", NLH ?? (1989), ??
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Mitchell, W.J.T., Picture Theory, Chicago: University of Chicago
Press, 1994
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Muller, Jeffrey, "Rubens's Theory and Practice of the Imitation of Art",
Art Bulletin (1982), 229-247
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Norton, Glyn P., The Ideology and Language of Translation in
Renaissance France, Geneva: Librairie Droz, 1984
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O'Connell, Michael, "The Idolatrous Eye . .", ELH 52 (19??)
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Panofsky, Erwin, [Work on emblems], 19??
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Pigman III, George W., "Versions of Imitation in the Renaissance",
Renaissance Quarterly 33 (1980), 1-32
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Quereau, Quentin W., Palestrina and the Motetti del Fiore of
Jacques Moderne: A Study of Borrowing Procedures in Fourteen Parody
Masses, Ph.D. Dissertation, Yale University, 1974
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---, "Sixteenth-Century Parody: An Approach to Analysis", Journal of
the American Musicological Society 31 (1978), 407-441
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---, "Aspects of Palestrina's Parody Procedure", Journal of
Musicology 1.2 (1982), 198-216
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Quint, David et al., Creative imitation: New Essays on Renaissance
Literature in Honor of Thomas M. Greene, Medieval & Renaissance texts
& studies 95, Binghamton, NY: Medieval & Renaissance Texts & Studies, 1992
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Renselaer, Lee, "Ut pictura poesis": The Humanistic Theory of
Painting, New York: Norton, 1967
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Reynolds, Christopher A., "The Counterpoint of Allusion in
Fifteenth-Century Masses", Journal of the AmericaUse of uninitialized value in concatenation (.) or string at E:\listplex\SYSTEM\SCRIPTS\filearea.cgi line 455, line 268.
n Musicological
Society 45 (1992), 228-260
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Saxl, Fritz, A Heritage of Images: A Selection of Lectures, edited
by Hugh Honour & John Fleming; with an introduction by E. H. Gombrich,
Peregrine Books, Harmondsworth: Penguin, 1970
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Steiner, Wendy, The Colors of Rhetoric: Problems in the Relation
between Modern Literature and Painting, Chicago: University of Chicago
Press, 1982
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Strong, Roy C., The English Icon: Elizabethan & Jacobean
Portraiture, London: Paul Mellon Foundation for British Art, in
association with Routledge & K. Paul; New York: Pantheon Books, 1969
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Watkins, Glenn E. and Thomasin La May, "`Imitatio' and `Emulatio':
Changing Concepts of Originality in the Madrigals of Gesualdo and
Monteverdi in the 1590s", Claudio Monteverdi: Festschrift Reinhold
Hammerstein zum 70. Geburtstag, edited by Ludwig Finscher, 453-487,
Laaber: Laaber Verlag, 1986
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Wegman, Rob, "Another `Imitation' of Busnoys's Missa L'Homme
armé -- and Some Observations on Imitatio in Renaissance
Music", Journal of the Royal Musical Association 114 (1989),
189-202