|
|
Size
|
ChatGPT for Publishing, Data Analysis, Dissertations, and Grants - livestream seminars
|
Sun, 24 Sep 2023 10:00:00 +1000 |
178 lines |
New, Music and Postwar Transitions in the 19th and 20th Centuries
|
Wed, 20 Sep 2023 17:38:51 +0100 |
76 lines |
Reminder: Choreographic Practices CFP Deadline Approaching, Last Chance to Submit
|
Wed, 20 Sep 2023 10:29:57 +0100 |
2875 lines |
Violin position at the University of Queensland
|
Wed, 20 Sep 2023 02:50:42 +0100 |
39 lines |
Programme: Re-Imagining Tragedy Across Africa and the Global South (Hybrid Conference 26-27 September, Oxford UK)
|
Mon, 18 Sep 2023 15:31:22 +0000 |
306 lines |
Reminder: Conference Registration: Re-Imagining Tragedy Across Africa and the Global South (26-27 September, Oxford UK)
|
Thu, 14 Sep 2023 14:28:50 +0000 |
280 lines |
Invitation to participate in a study about chills and music performance
|
Wed, 13 Sep 2023 11:31:50 +0000 |
159 lines |
Journal of Dance & Somatic Practices 15.1 is out now (Special Issue: ‘Teaching Practising: Frameworks, Experiments, Conversations’)
|
Tue, 12 Sep 2023 11:46:51 +0100 |
8148 lines |
Embodying Resistance/Encuerpando Resistencia: unfinished reflections from the Bolivian territory
|
Mon, 11 Sep 2023 09:00:05 +0100 |
59 lines |
JOB: Doctoral Programmes Coordinator, 0.5FTE, Royal College of Music
|
Wed, 6 Sep 2023 11:49:12 +0000 |
182 lines |
Bad Blood by Emily Weissbourd
|
Tue, 5 Sep 2023 15:58:25 +0000 |
666 lines |
Metal Music Studies 9.2 is out now
|
Mon, 4 Sep 2023 12:36:20 +0100 |
52541 lines |